The Search For Serenity

FINAL POST

2009-06-10T18:57:00.004+01:00

My dissertation has been marked and is currently being hardbound ready to take its place in the postgrad reading room at Cliff College.

Thank you to everyone who left comments on this blog and encouraged me along the way.

Here is a complete copy of the final draft.

DISSERTATION DRAFT

2009-03-10T22:05:00.006Z

I'll be giving my dissertation in soon, it still needs a final 'polish' and proof reading, but I'd appreciate comments about the content if anyone has time to have a look.

The final title is Reimagining Faith and Church in the ’Verse: A dialogue between Joss Whedon’s Firefly and contemporary understandings of belief, ministry and mission.

Here are the links to pdf copies of the four key chapters

Chapter 2 Exploring Mal's loss of faith (188 kb)
Chapter 3 Is Shepherd Book a missional figure? (268 kb)
Chapter 4 The two fanfics + a critique (113 kb)
Chapter 5 Reimagining the church (133 kb)

FANFIC ABOUT SHEPHERD BOOK AND THE EMERGING CHURCH

2009-02-14T18:34:00.003Z

I have now written a fan fic on Shepherd Book. In this story I have him back in time to the contemporary church in 2009 where is explaining his action on board Serenity to a group studying the emerging church.

From outer space to the margins of the contemporary church
They had some tough and intriguing questions they wanted to ask him. Obviously they all wanted to know about his mysterious past. Was he really a shepherd? Or was he an impostor – a wolf in shepherd’s clothing - perhaps someone recently released from prison or an Alliance operative seeking redemption? The theories were numerous and some quite bizarre, but the students’ curiosity could easily be disguised in a simple request to hear his testimony and find out about his conversion experience.

Some members of the group wanted to interrogate him about the way in which he justified his use of firearms. They’d heard that he advised that although the Bible condemned murder it was ‘somewhat fuzzier on the subject of kneecaps’.

Others were puzzled by the fact that even though he came from the future he seemed to represent a bygone age. To be honest, while they were relieved that their descendants knew the parable of the Good Samaritan, they were disappointed that in 500 years time Christianity would still be characterised by patriarchal images of God, fundamentalist sects and sermons about hell-fire and damnation. They saw this as a warning and wanted the interview to focus on how this situation could be avoided.

So, they had drawn up a list of questions, twenty-seven to be precise, and were anxiously awaiting his arrival in the lecture room.

A hush descended as he entered, smiled at them and took his place at the lecturn. He had not brought any notes – or a PowerPoint presentation. He was dressed in clothes that denoted his vocation; he carried only a light rucksack and a well-worn (and torn) Bible.

‘Shepherd Book’, the convenor said, ‘welcome to our gathering. We’ve been looking forward to meeting you and we have many questions to ask you.’

‘Friends’, Book said in a gentle voice, looking round the room, ‘I hope that I don’t disappoint you, but I’ve come prepared to answer only one question.’

The room held it’s breath. One sceptical member of the class thought that Book was about to come out with one of those pithy sayings of his, which some held in awe as words of wisdom, but which she considered to be merely clichés that he used to avoid actual conversation.

‘One question’, spluttered the convenor, ‘but we’ve compiled quite a list.’ Book took the sheet of paper from his hand and read it silently.

‘Ah, here’s the question’ he said, pointing part way down the page. ‘How might church emerge on board Serenity? I can answer that by telling you a story that starts in a garden …’

After looking round at each of the mystified faces, Book walked away from the lecturn, sat down on a chair, motioned for the others to move their chairs so that they were closer to him and, when everyone was ready, he began his tale.

‘The garden was at Southdown Abbey, where I tended fruit, vegetables, herbs and flowers. Watching the miracle of growth is a delight – though being a gardener does involve backbreaking work and dirty hands – and sometimes things don’t go according to plan. It is hard to put this into words, but I knew that the time had come for me to leave the sanctuary of the Abbey and to venture out once more into the ’Verse. At times it felt like a move from The Order into … total chaos, especially in the hustle and bustle of the crowds at Eavesdown Docks. But it was there that the gardener in me recognised the first tender shoot of church emerging through the words and actions of one of the most caring people I have ever met.

‘Kaylee really paid attention to me; she observed my interest in ships and my indifference about the destination. In addition, she perceived something of my identity – of who I was - that I hadn’t fully realised myself. This helped me to begin to put into words my reason for being there. She was someone who had faith in people and, I would suggest, also in the One in whose image folk are made.

‘Once on board the ship it was plain that we were a very mixed bunch. I met the rest of the existing crew - the gruff captain with the very well hidden tender heart, the goofy pilot and his Amazon-like warrior wife, the loudmouthed hired gun and the high-class prostitute. Fellow newcomers included the extremely proper young doctor hiding behind dark glasses and the quiet chap (Dobson), who looked like he was doing his best to just blend into the surroundings.

‘This was the second shoot – and it would grow to produce many beautiful and fragrant flowers. It would have been wonderful if everyone on board Serenity was like Kaylee – it’s easy to be nice to those who are kind. However, this was something more – this was the chance to be part of a community of very diverse people, people you don’t immediately warm to, people who would disagree with you and challenge you, but, people who through some indescribable process would become family, people who would learn to trust each other and people who, in the captain’s words, “ain’t always looking for the advantage”. This is the sort of community from which church emerges.

‘I was able to offer this community some of the vegetables and herbs that I had brought with me from my garden. The first meal we shared together – though not without its uncomfortable moments – was enriched by this food and as Simon expressed his gratitude to me I requested permission to offer a prayer of thanks. The captain refused to allow me to say grace out loud. So I said it silently, and the others sitting at the table at the time – Kaylee, Simon, Jayne and Dobson – bowed their heads. I don’t know what they said – perhaps some words remembered from their childhood, or a cry from the heart for their needs at that time – maybe they just took the chance to enjoy a moment of silence – but they had the choice to acknowledge God and they took it.

‘Over the months that we lived together the time we spent around the table produced other fruit. It was there that we shared food and told stories. It was there that relationships grew and agreements were sealed. It was there that we made decisions. Of course, the captain would argue that he made of all of the decisions; in reality he always listened to what we had to say and weighed up the alternatives carefully. Whether we were aware of it or not at the time we would each be thinking about the action that was taken and this would stimulate us to reflect upon our beliefs and priorities – another sign of church emerging.

‘I learnt so much from living amongst these people – but most of all I learnt how to be a friend. A sensitive friend both to those who were open to the beliefs that I held and to those who had closed every part of themselves off from God. I also discovered how to recognise the voice of God whether it came through the sensuous and spiritual Inara, the crudely worded common sense of Jayne or the frightening psychic insights of River.

‘I took inspiration from another shepherd, one who had let Jesus down, but who responded to the Lord’s call to “follow me”. The disciple Simon Peter who set out on a journey to an unknown destination, and was continually transformed – or converted - by those he met along the way (like Cornelius, Acts 10).

‘Well, do you think that I am pushing it too far to say that church might emerge on board Serenity?’

Book paused briefly, then continued: ‘Perhaps that says more about your definition of church than anything else. If you were expecting Sunday services to be held, Jayne to sing hymns and the captain to answer an altar call then you will be disappointed. But if your definition of church is a community focused around Jesus maybe you will acknowledge that the seeds that might one day grow into church were already present.’

The time passed quickly and the long awaited session was over. Nodding his goodbyes to the students Book was escorted from the room, leaving them pondering all that they had heard and learnt that morning.

One thing puzzled them, where had that particular question come from, no one could remember suggesting it.

WRITING AS AN ATHEIST

2009-02-12T08:45:00.003Z

Just musing - I got a real buzz out of writing 'The Myth of Serenity' (see my last post) and discovering how the story related to the experiences of biblical characters and stumbling over key words that seemed so appropriate - lost, save, independence. Then, when I posted it and read it back I was quite odd - I'm trying to work out why.

Joss Whedon, as an atheist, writes a script for a Christian who finds meaning in his faith. I, as a Christian, write a script for an atheist coming to terms with the belief that there is no God. But was I really putting myself into the shoes of an atheist? Only to a certain extent because I see Mal's original faith as immature and misplaced and I see his atheism as transitional. Mmmh - that sounds like I'm feeling superior to him, which I don't want and which is probably why I'm feeling odd.

It could also be because I don't know if I'm ready for the question, 'What did you do your dissertation on?' 'Oh, I wrote a story about how there is no God.'

THE MYTH OF SERENITY

2009-02-11T22:44:00.002Z

For my dissertation I have taken Mal’s crisis of faith, juxtaposed it with several different biblical images and written it out in the form of a myth which reflects its setting at the start (genesis) of the very first episode.

From the light of certainty into the dark night of the soul[1]

In the beginning darkness covered the valley of the shadow of death. And light shone in the darkness – the light of gunfire – and in the light stood the man and the woman. Side by side they fought, united with others in their battle for disunion and independence.[2] Nothing was impossible for this man, he felt full of the Spirit of God. He wore the symbol of his faith close to his heart. God was on his side; God would not let him down.

And the man stood in the darkness and proclaimed victory. He was oblivious to the scene of chaos and destruction all around him. He knew that even if he fell the angels would catch him. He kissed the symbol of his faith … and in that kiss experienced betrayal.

The woman brought the word to him: ‘Our orders are to surrender. No one is coming to save us.’

The war was lost and so was the man.

The look in his eyes said it all.

‘My God, why have you forsaken me?’

After long days and nights of further suffering he walked away from that valley – though some say that he never really left. He returned, for a brief time to the ranch where he was brought up and to the church community where the seeds of his faith had been planted and nurtured. And his return stirred up something in those he met. They did not know what to say to him, but his brokenness spilt out through the only part of the Bible that made any sense. He told his own story through Naomi’s words:
Call me no longer, Malcolm (which means ‘follower of St Columba’)
Call me Mal (which is Latin for ‘bad’)
For the Almighty has dealt with me badly.
I went away full
But the Lord has brought me back empty;
Why call me Malcolm,
When the Lord has dealt harshly with me,
And the Almighty has brought calamity upon me.[3]

In his rage he cried out to God: ‘How could you let the Alliance win?
I put my trust in you; I was doing the impossible for you! You abandoned me!’

Then he turned to the congregation and said: ‘How could you have so deceived yourselves and deceived me into believing that there was a God who loves and cares for us? Well I aim to make sure no one else makes that mistake. See, I cried out to God for help and he didn’t come. I listened for his voice and the silence was deafening. Now I gotta go on living in a ’Verse that’s going to be very different from the one I fought for. And only one thing is certain in this new life – there is no God – we live and die alone.’

[1] Based on Genesis 1-3; Job 30-31; Psalms 22; 23 and 91:11-12 ; Matthew 4:6; 26:49 and 27:46; Luke 1:37.
[2] A line inspired by a description of the Confederate Army of Northern Virginia: ‘It is an army of remarkable unity, fighting for disunion.’ Shaara, Killer Angels pp.xxv-xxvi.
[3] Based on Ruth 1:19-21.
Meaning of the name Malcolm taken from http://www.babynames.co.uk/meaning_origin_name_Malcolm.htm accessed 31 January 2009. River points out in The Train Job (Whedon, Firefly Episode 1.2) that Mal means bad. There is no evidence in Firefly that his name changed at this point. ‘Mal’ seems to be his preferred name, he is usually only called ‘Malcolm’ on official records.

INTERPRETING MAL'S EXPERIENCE THROUGH THE EYES OF NAOMI

2009-02-02T17:20:00.003Z

Been thinking about the similiarities between the experience of Mal in and after the battle at Serenity Valley (pilot episode) and the story of Naomi from the biblical book of Ruth.

Call me no longer, Malcolm (which means ‘follower of St Columba’)
Call me Mal (which is Latin for ‘bad’)
For the Almighty has dealt with me badly.
I went away full
But the LORD has brought me back empty;
Why call me Malcolm,
When the Lord has dealt harshly with me,
And the Almighty has brought calamity upon me?

What do you think?

FIREFLY FANFIC

2009-01-17T20:11:00.004Z

For Chapter 4 of my dissertation I'm attempting to creatively explore faith within the 'verse by writing a fanfic. The three ideas that I am pursing at the moment are:

1.) During the pilot episode 'Serenity', the crew, with the exception of Mal, bow their heads and say grace silently - I'm going to attempt to write their prayers.

2.) I'm going to juxtapose the meal that the crew share in 'Out of Gas' and the subsequent experience that Mal goes through when he is left to die alone (and sheds much blood in the process) with the biblical story of Jesus and his disciples at the Last Supper and in the Garden of Gethsemane.

3.) I intend to look at some of the characteristics that are begining to be named as being part of the Emerging Church (e.g. http://www.emergingchurch.info/reflection/stevetaylor/index.htm) whilst asking the question 'what sort of church would Shepherd Book lead?' and let the answer take a narrative form.

Help please - anyone know of similar fanfics/stories? Any ideas will be gratefully received and acknowledged.

FLOATING IDEAS - ANY SUGGESTIONS?

2009-01-17T19:54:00.004Z

I'm still playing around with the overall title for the dissertation and with titles for each of the chapters, but these are some of the ideas I've had:

Re-imagining the Church in the ’Verse

Just Keep On Walking, Preacher Man

Faith in a Vacuum

The Search for Serenity

Give me some [sacred] space

Firefly: a small natural light in the darkness

Journey into the black

Why do you always assume I'm talking about God?

Comments and suggestions welcome ...

READING THEOLOGY ALONGSIDE FIREFLY

2009-01-17T18:27:00.005Z

Other things that have fascinated me as I've alternated reading books about Firefly with theological/emerging church/spirituality texts are:

Thinking about 'Earth-that-was' (which had to be left behind) alongside inherited church or 'the-church-as-it-has-been' to quote John Pritchard (page 131 in 'The Life and Work of a Priest'.)

The way in which Whedon's version of the future incorporates ideas and images from so many different cultures and time periods alongside the 'ancient-future' nature of the emerging church.

River's words to Shepherd Book: 'Just keep on walking Preacher Man!' alongside Austin Farrer's image of the priest as a 'walking sacrament' (quoted in Pritchard, J, The Life and Work of a Priest, (London: SPCK, 2007) p.86.

CLIFF COLLEGE DISSERTATION

2009-01-15T21:59:00.007Z

Right, this is the outline of my dissertation as it stands at the moment (just about ten weeks left until submission date) ...

Introduction 800 words
Outline of dissertation and of methodology used
i.e. how do you study popular culture theologically?

Chapter 1 2000 words
Description of the show
i.e. the characters & the ship, key storylines, the fans and Joss Whedon

Chapters 2 & 3 3700 words
Exploration of some of the spiritual themes that can be identified in the show
i.e. is the fact that there are no aliens (i.e. nothing supernatural) in Firefly, symbolic of a world in which there is no God? The nature of faith/belief and doubt as illustrated in the show. Darkness and silence in the 'verse. Brokenness and ways of trying to fix it.

Chapter 4 1700 words
The writing of a fanfic

Chapter 5 1700 words
How does this exercise challenge the Church in 2009?
I will explore this through the question: is Shepherd Book a missional character? From an emerging church/missional point of view how does he inspire/challenge/disappoint?

Chapter 6 1600 words
Reflection upon the usefulness of the above exercise

Conclusion 500 words
Summary

I've got about 20,000 words of notes and quotes. I'm still doing a lot of reading - alternating books about Firefly with theological/emerging church/spirituality texts which is proving very inspiring.

For instance I find myself reading about the 'dark dwelling place of God' in Rollins, P, How (Not) to Speak of God, (London: SPCK, 2006) p.82 and then coming across this statement about the episode 'Bushwacked' - 'What River sees when she gazes into the blackness of space is not the harsh emptiness of Mal, the psychotic insanity of the Reavers, or the absent God the (the) Book, but instead the divine Nothing of the mystics, a recognition of a void, an emptiness that is not good or bad, right or wrong, sacred or profane, upside down or right side up, but a possibility for creation, a tentative wandering path for the future.’ Erickson, G, ‘Humanity in a “Place of Nothin’” in Firefly’ in Wilcox, RV & Cochran, TR (editors), Investigating Firefly and Serenity: Science Fiction on the Frontier, (London: I.B. Tauris, 2008) p.179

QUESTIONS FOR FIREFLY/SERENITY FANS

2008-11-30T00:04:00.000Z

In the episode ‘Objects in Space’ River hears the thoughts of the other folk on board Serenity.

Uncharacteristically Shepherd Book fiercely looks at River and thinks: ‘I don’t give half a hump if you’re innocent or not! So where does that put you?’

What does that mean?

Also, what is the significance of the name ‘Book’ for the character for whom the Bible is so important?

And is it just coincidence that the names ‘River’ and ‘Reaver’ (both victims of the Alliance) are so similar?

CAN SIMON FIX RIVER OR SHOULD HE JUST HAVE FAITH IN HER?

2008-11-29T23:24:00.007Z

If I haven't referred to Inara much then I've said even less about Simon and River. Time to address that, but first a pithy statement from Book which could have come straight out of a conversation in the Emerging Church.

In the episode Jaynestown, Shepherd Book finds River editing his Bible in order to remove the contradictions.

Book: ‘River you don’t fix the Bible!’

River: ‘It’s broken, it doesn’t make sense!’

Book: ‘It’s not about making sense. It’s about believing in something. And letting that belief be real enough to change your life. It’s about faith. You don’t fix faith, River. It fixes you.’

Commenting on this dialogue, and on the relationship between Simon and River, Alyson Buckman writes:

‘Ironically, River is like the Bible – she “doesn’t make sense,” and her brother attempts to fix her as she attempts to fix the Bible. As Book says about the Bible, the crew of Serenity must come to have faith in River, which they do by the end of [the episode] “Objects in Space.”’

Buckman, AR, ‘Much Madness is Divinest Sense’ in Wilcox, R & Cochran, TR (editors), Investigating Firefly and Serenity: Science Fiction on the Frontier, (London: I.B. Tauris,2008) p.46.

MORE ON INARA & BOOK

2008-11-29T23:19:00.003Z

Some of Inara's wisdom from the episode 'Serenity' (Maybe this proves that Book isn't Jonah.)

Book: ‘I've been out of the Abbey two days. I've beaten a lawman senseless. Fallen in with criminals. I watched the captain shoot the man I swore to protect. And I'm not even sure if I think he was wrong. I believe I just … I think I’m on the wrong ship.’

Inara: ‘Maybe. Or maybe you're exactly where you ought to be.’

INARA vs BOOK - MEANINGFUL OR MEANINGLESS CONVERSATION

2008-11-29T23:08:00.005Z

There seem to be some similarities between the characters of Shepherd Book and Inara. Both have left behind communities; Book left the ‘Order’ of Southdown Abbey for the ‘chaos’ of Serenity, whereas Inara left the Companions’ House in Sihnon where she had at one time harboured ambitions to be the House Priestess. They are both known by their occupation/vocation/calling. Are they both running away from something/someone? Is Book looking for a ticket to Joppa even though he should be going to Nineveh?

Shepherd Book often comes out with pithy statements - as in this exchange from episode 1:

Kaylee: ‘How come you don’t care where you’re going?’

Book: ‘’Cause how you get there is the worthier part.’

As I re-watch the series I am going to look out for ways in which Inara exhibits the same sort of wisdom in what she says.

Or is it wisdom?

Cynthea Masson thinks that some of the pithy sayings used by Inara ‘verge on cliché’ and rather than being full of meaning they are actually used as a way of avoiding actual conversation - ‘an aspect of verbal etiquette in which a Companion would surely be well versed’. Masson, C, ‘But she was naked! And all articulate!’ in Wilcox, R & Cochran, TR (editors), Investigating Firefly and Serenity: Science Fiction on the Frontier, (London: I.B. Tauris,2008) p.20.

Could the same accusation (obviously without the reference to Companion training) be made against Shepherd Book – or against the Church/Emerging Conversation?

THE SPIRITUALITY OF INARA

2008-11-29T22:57:00.004Z

I haven't said much about Inara yet, but she comes over as a very spiritual character, both as a result of her training and through her lifestyle.

Whedon explains that:

'Companions trained in all the arts, extremely well-schooled. They lived not unlike nuns, worked not unlike geishas, and often rose to political or social prominence when they retired,’

Whedon, J, Serenity: The Official Visual Companion, (London: Titan Books, 2005) pp.12-13.

After describing temple/sacred prostitution in ancient Middle Eastern society, Andrew Aberdein writes:

‘Inara also exhibits a strong spiritual side. She is frequently associated with religious iconography, primarily Buddhist, and both she and Nandi invoke the Buddha in Chinese imprecations. Moreover, Inara explicitly links the sacred to her practice as a Companion, referring to her shuttle as ‘a consecrated Place of Union’ (Jaynestown).’

Aberdein, A, ‘The Companions and Socrates’ in Wilcox, R & Cochran, TR (editors), Investigating Firefly and Serenity: Science Fiction on the Frontier, (London: I.B. Tauris,2008) p.67.

USEFUL RESOURCES AGAIN 3

2008-11-13T22:56:00.001Z

Some great insights into the characters and storylines in the 'Firefly Diaries' on http://www.steved.org/articles.html

KEY SPIRITUAL THEMES IN 'FIREFLY' & 'SERENITY'

2008-11-13T22:38:00.003Z

Listed all of the key spiritual themes that I have identified so far:

Brokenness
Sacrifice
Lost/Found
Community/Family
Table Fellowship
Death
Morality/Ethics/Conscience
Betrayal
Fear/Hope
Prayer
Safe/Saved
Promised Land
Good/Evil
Myths
No Aliens = No God?
Psychic Powers
Personhood/Being Human
Doubt
Nomadic Lifestyle
Music
Belief

CONVERSION

2008-10-18T22:02:00.004+01:00

I'm reading about the understanding(s) of Christian conversion at the moment. In particular I'm looking at:

Finney, J, Emerging Evangelism, (London: Darton, Longman and Todd, 2004)

Percy, M (editor), Previous Convictions: Conversion in the Present Day, (London: SPCK, 2000)

Lamb, C & Bryant, MD (editors), Religious Conversion: Contemporary Practices and Controversies, (London: Cassell, 1999)

Partridge, C & Reid, H (editors), Finding and Losing Faith: Studies in Conversion (Milton Keynes: Paternoster, 2006)

For the purpose of this dissertation I'm focusing my thoughts on how Shepherd Book found (or was found by) faith, how Mal lost his trust in God and where (or in whom) the other characters put their faith.

THEORIES ABOUT SHEPHERD BOOK

2008-10-18T21:39:00.003+01:00

Jeffery on Savvygeek has a post about possible theories concerning the question 'Who was Shepherd Book?'

He points out that the storyline in the movie 'Serenity' includes a character known as 'The Operative' who was introduced to 'the true background of the reavers' and as a consequence 'relinquished his role as an Operative'.

Commenting on the theory that Book had served as an Operative he says:

'It is possible a similar experience happened to Book. It is possible he went through something that forced him to see the errors of whom he served, and left to become a shepherd, or at least to pose as one.'
http://savvygeek.com/2007/04/30/who-was-shepherd-book/

Certainly Book 'wasn't born a Shepherd' and presumably must have been through some sort of conversion experience.

MORE ON FIREFLY CHARACTERS

2008-10-14T22:06:00.007+01:00

I really like Bruce Bethke's description of the characters in Firefly. These descriptions are attributed to his friend 'John the screenwriter':

Mal is 'Han Solo [Star Wars] with an actual backstory ... Rick Blaine [Casablanca] with a spaceship instead of a night club. He's a classic lost paladin; an embittered losing-side war vet with a junk freighter, struggling to eke out a living on the fringes of civilization and the law. But underneath his rough exterior he's still got his honour, his pride, and that sense of justice that forces him to get involved and become a big damn hero, from time to time.'

Wash is a 'classic comic-relief sidekick, who gets to have all the emotional reactions the paladin can never show.'

Zoe is a 'tough chick' who served with Mal in the war - 'she's got the whole calls-him-"sir"-even-when-she-doesn't-say-it-out-loud thing going.'

Kaylee - 'it's really nice to see a woman in the role of the engine room grease-monkey.'

Simon, the doctor - 'there's obviously some bad blood between him and Mal, so I'd have to guess he has a little black bag full of patent medicines that save the day on a regular basis and make him worth putting up with.'

River - 'Buffy' - 'the ninety-pound pixie who can toss around men three times her size when she gets mad ... [probably] the focus of the entire plot.'

Jayne - 'big and tough, none too bright, obsessed with weapons, and probably worth his weight in gold in a fight.' Is the name like 'A boy named Sue'? Or is JAYNE a reference to John WAYNE?

Book - 'the preacher with the troubled past'.

Inara - 'the hooker with a heart of gold'.

Bethke, B, ‘Cut 'Em Off at the Horsehead Nebula!', J (ed), Serenity Found: More Unauthorized essays on Joss Whedon's Firefly Universe, (Dallas, TX: Benbella Books, 2007) p176.

THE SEARCH FOR TRUTH

2008-10-12T22:02:00.011+01:00

What is learnt from the way in which community is formed on board the spaceship ‘Serenity’?

That's one of the key spiritual themes that I want to tease out in the second chapter of my dissertation.

Matt Stevens highlights this aspect of the storyline in his article about Firefly which can be read on the Damaris website http://www.damaris.org/content/content.php?type=5&id=527
He even goes as far as to say that 'in Firefly we see the beginnings of a community of grace'.

I have been thinking about the way in which Shepherd Book leaves one community (Southdown Abbey) and becomes part of another (Serenity). I wonder if these words from Mike Riddell encapsulate something of Book's experience:

'I have tried to get by on my own, to be a rugged individual. Apart from the fact that I lack ruggedness, it doesn't work anyway. Sure I need my spaces; but without people around they don't seem like spaces - more like a vacuum. At last I have had to face up to it: I need people. I need relationships. Only in the context of belonging somewhere can I make sense of who I am. Over the years I have come to value the shaping power of community. I'm not sure any more that it's possible to be human apart from community. All of us need a place to stand - a group of people who know us as we really are and yet still love us. A community is a place where you can fight without fear of rejection. The search for truth is not a solo venture. We need to hear all the voices if we are going to make sense of the universe.'

Riddell, M, alt.spirit@metro.m3: Alternative spirituality for the third millennium, (Oxford: Lion Publishing, 1997) pp62-63.

The last two sentences of that quote really speak to me. Might even retitle my dissertation "Making sense of the 'verse."

SHEPHERD=MISSIONAL?

2008-10-06T20:48:00.004+01:00

Steve Taylor questions the missional nature of the parable of the lost sheep here.

SHEPHERD BOOK - A MISSIONAL CHARACTER?

2008-10-06T19:56:00.006+01:00

As part of my thinking about the character of Shepherd Book, I've been exploring the image of the 'shepherd' within the Bible. Key passages include, Psalm 23, Ezekiel 34, Luke 15, John 10 & John 21. The shepherd's responsibilities involve guiding, protecting, providing for and gathering the sheep.

Stanley Skreslet's book, Picturing Christian Witness, (Grand Rapids, MI: Eerdmanns, 2006) devotes a chapter to this subject and questions the ways in which the role of the shepherd is, or isn't, missional.

At the end of the chapter there is a copy of Fan Pu's papercut 'The Lost Sheep' Skreslet observes:

'In the shepherd's outstretched arm, one can perceive a determination to extend the reach of Christian pastoral compassion ... The sheep is lost, without sufficient resources of its own to cope in an unforgiving environment, where brambles threaten to ensnare and immobilize disoriented wayfarers. The searcher beckons, but the picture leaves room for the sheep to react to the shepherd's gesture in the symbolic gap that separates the two figures. A positive response from the sheep depends in part on whether or not Jesus' voices has been heard in the human shepherd's call' (pp189-190).

Is Shepherd Book that sort of shepherd? Does he have a mission? Is he looking for the lost - or is he the one who is lost? Will the voice of Jesus be heard through his voice?

When asked by Kaylee in episode 1 if he is a missionary he replies:

'I guess ... I'm a Shepherd, from the Southdown Abbey ... Been out of the world for a spell. Like to walk it a while, maybe bring the word to them as needs it told.'

'YOU CAN'T TAKE THE SKY FROM ME'

2008-09-30T22:39:00.004+01:00

I'm intrigued by the theme song for Firefly and in particular the line 'You can't take the sky from me'.

In the context of Firefly is the sky/space the new 'promised land' wherein salvation is found?

Where are people looking for salvation today?

MAL REYNOLDS - WESTERN HERO

2008-09-30T22:10:00.007+01:00

Reading more about Westerns gives me additional insights into the make up of Mal's character: Peter Francis writes:

There is a recurring image of the Western hero beaten to a pulp and yet overcoming physical woulnds to defeat the bad.

He quotes Gary Wills who writes about John Wayne's popularity:

The archtypal American is a displaced person - arrived from a rejected past, breaking into a glorious future, fearless himself, feared by others, killing but cleansing the world of things that 'need killing,'loving but not bound by love, rootless but carrying the Centre in himself, a gyroscopic direction-setter, a travelling norm.

Then he lists other characteristics such as 'active rather than passive' 'not emotional but rather coldly rational and logical' 'in control' 'seeks to triumph' 'no compromise'.

See 'Clint Eastwood Westerns: Promised Land and Real Men' by Peter Francis in Christianson, E.S., Francis, P & Telford, W.R., Cinema Divinite, (London: SCM Press, 2005) pp 187-188.

Mal's loyalty for his crew overshadows some of these characteristics but in general they could have been written as a description of his personality.

Even when he puts his hands up in a gesture of surrender (which seems to happen in almost every episode!) he still seems to be in control of the situation.

THE PREACHER IN THE WESTERN

2008-09-29T22:50:00.005+01:00

I realised that most of my background reading has been about the genre of sci-fi and not about the western - and as Firefly brings the two together I thought that I ought to correct that oversight.

So, yesterday I read 'Clint Eastwood Westerns: Promised Land and Real Men' by Peter Francis in Christianson, E.S., Francis, P & Telford, W.R., Cinema Divinite, (London: SCM Press, 2005) pp 182-198.

I have to confess to being woefully ignorant of this particular genre. However, Francis' description of the preacher in Pale Rider made me wonder what other preachers there are in westerns - and how they compare/contrast with Shepherd Book?

Can anyone help me here?

NO ALIENS

2008-09-29T19:00:00.007+01:00

Right, got to get serious about this dissertation now. I'm going to try to blog 'little and often'.

A thought that's been buzzing around in my head ever since I heard a recording of a seminar about Battlestar Galactica at Greenbelt is:

Is the fact that there are no aliens (i.e. nothing supernatural) in Firefly, symbolic of a world in which there is no God?

KAYLEE - 'THE HEART OF THE SHOW'

2008-07-19T23:44:00.004+01:00

Kaylee (the mechanic on Serenity) also features in the notes on the Bible Study on http://blog.digitalorthodoxy.com/?p=661

' Kaylee seems to peer into Inara’s world and romanticises it, thinking that she gets some rich clients who give her things and make her feel pretty, the rest of the world seems to think this is the case too as her profession has a high status in the planets. Looking in from outside Kaylee wishes that she could have pretty things, be a normal" girl, wear pretty dresses, dance with men to nice music. Kaylee wants to live in the world beyond her own fence, the grass is always greener over there. ... And when she’s faced with the reality she meets people that want to keep her on the other side of the fence, people who look pretty on the outside but are not too pretty on the inside. These people make her feel unwelcome, unpretty. While she also meets others who seem to find her enchanting for who she really is at the same party.'

Similar comments, about the ordinariness of Kaylee's character and the way in which it is seen in the people we come into contact with every day, are made in Burns, M, ‘Mars needs Women’ in Espenson, J (ed), Serenity Found: More Unauthorized essays on Joss Whedon's Firefly Universe, (Dallas, TX: Benbella Books, 2007) pp18-19:

' they had Kaylee's heart, that fragile fear that people were looking down on them, that they weren't good enough or smart enough. ... Kaylee can fix nearly everything, sees the good in everyone, can't handle a gun. ... Kaylee was the beating heart of the show as she tended the beating heart of Serenity. Where have you ever seen anyone like her on a spaceship before?'

MAL VS INARA

2008-07-19T22:40:00.012+01:00

Episode 4 'Shindig' is about the differences between the lifestyles of Mal and Inara.

Inara is a companion - high class prostitute - which seems to be a legal and respectable occupation. Mal - who is a unquestionably a criminal (albeit one that the audience is urged to cheer for) - looks down on Inara's profession. The Bible Study on the Youth Ministry Blog relates this to the Biblical story of the one who said 'Friend let me remove the speck from your eye', whilst ignoring the log in his/her own eye.

Note to self - I would like to reflect further on the ease with which the audience (including me) can excuse the criminal aspects of Mal's life.

USEFUL RESOURCES AGAIN 2

2008-07-09T21:29:00.002+01:00

I'm trying to keep a healthy balance in my studies of Firefly so I'm going to take note of the observations outlined on http://dauntlessmedia.net/firefly/firefly.html The stance taken on that site is summed up in the following words:

'Don’t misunderstand me. I happen to think that Firefly was very good for a series in its first season, operating under a great deal of pressure. Given the circumstances, Firefly was a bona fide success. But it is far from deserving of the near deity status granted to it by its most ardent fans. In the following critique, I will analyze the show’s successes as well as its missteps and failures …'

INSIGHT FROM THE GOOD BOOK

2008-07-09T21:22:00.005+01:00

Quote from the Youth Ministry Blog’s Study on Episode 3 ‘Bushwacked’:

‘The crew have an argument about if they will look after the dead on the ship, Book says “How we deal with our dead is what differs us from those who did the killing” and they go ahead with the plan to look after the dead.’

This reminded me of the story of Rizpah from 2 Samuel 21:1-14. Her vigil (over the bodies of her sons) prompted David (who is far from innocent in that story) to take appropriate action.

ALT.WORSHIP VENUE

2008-07-04T22:06:00.005+01:00

Don't you think that this set from the Episode 'Out of Gas' could be a picture of an Alt.Worship Venue?

PRAYING FOR CAPTAIN REYNOLDS

2008-07-03T20:22:00.005+01:00

There is a Study on Episode 2 'The Train Job' on http://blog.digitalorthodoxy.com/?p=646
which focuses on the way in which Mal handles the ethical dilemma that he faces once he realises that the job he has accepted involves stealing vital medical supplies.

Reading the notes for this episode in Firefly: The Official Companion Volume One, (London: Titan Books, 2006), p.54, I see that Joss Whedon felt that the act of returning the stolen goods in this episode, whilst not being against the ethos of the show, was a concession to the Network who wanted Mal to be a more likeable character. He is quoted as saying, 'In a harsher version [Mal] wouldn't [return the medicine], because his crew was starving and he needed to get them through'. He seems to have wanted the storylines to reflect the more complex nature of ethical dilemmas rather than a simple right/wrong distinction.

This leads me to ask:
What guidance can the Church/Christians give in the light of such dilemmas?
What right do we have to challenge the actions of others?
How do we remove the planks from our own eyes?

Those questions lead me to another one posed in the Youth Ministry Blog's Study Series: ' How do we approach people who have said that they are not interested in faith or, more specifically our faith?'

This comment arises out of a conversation between Mal and Book in which Mal says: 'If I'm your mission, Shepherd, best give it up. You're welcome on my boat. God ain't.'

Later Book is advised by Inara to pray that Mal returns safely from the Train Job. Book states, 'I don't think the Captain would much like me praying for him.' Inara replies, 'Don't tell him - I never do.'

JUXTAPOSING GOSPEL ACCOUNTS AND FIREFLY STORYLINES

2008-06-29T20:34:00.005+01:00

There's some great comments on a Study Series on Firefly on http://blog.digitalorthodoxy.com/ The entry for 13th May focuses on Episode One. As well as commenting on the effects of Mal's experience at the Valley of Serenity and Book's doubts about whether he is in the right place, this study material also draws attention to ...

The similarities between the crew/passengers of Firefly and the disciples that Jesus called - ' How did Jesus choose the people who followed him? Would we be hard pressed to not find people like the characters in Firefly in Jesus’s followers? The prostitute, the criminal, the priest, the lover, the husband, the mechanic, the doctor, the sick, the abused…'
Book's response to Kaylee's perceptive comment (made during their first encounter) - Kaylee: 'how come you don't care where you're going?' Book: 'Cause how you get there is the worthier part.'
The way in which, if we want to be truly missional, we need to make an effort to really pay attention to those around us - to be as observant and as interested in others as Kaylee is - as was demonstrated in the conversation quoted above.
Also based on that conversation is the question: ' How open are we to people who are on a journey to a non-specified destination? '
The importance of the table fellowship that the characters share.
A comparison of Joss Whedon's storytelling technique with the way in which we do, or don't, engage with the stories of the characters that we come across in the Bible.

Some great ideas there. The first and last points make me want to imaginatively explore/juxtapose Gospel stories and Firefly storylines - i.e. putting Firefly characters into Biblical stories and seeing how they react - and vice versa, introducing Biblical characters to the crew of Serenity.

There are four of these study guides online so far - I'll comment each of them over the next few days.

HE'S FOUND GOD BUT ...

2008-06-28T20:08:00.003+01:00

Here's the introduction to Shepherd Book's character from http://www.thewebsitez.com/tvcentral/F/firefly.htm

' He is a priest, older and a little wiser than the rest of the crew. It is unclear if Book is on a mission to spread the word of God throughout the universe or on a personal “walk-a-bout.” He’s found God, but he still needs to find himself.'

MORE ON SHEPHERD BOOK

2008-06-28T13:05:00.006+01:00

I was very interested to read B. E. Wheatley's blog entry 'WWSBD - What Would Shepherd Book Do'.

http://brackishfaith.blogspot.com/2008/05/wwsbd-what-would-shepherd-book-do.html

Whilst acknowledging that Book is a flawed character, he outlines the way in which the Shepherd demonstrates a missional model of living. Inspired by Michael Frost's book 'Exiles' he writes:

' [Shepherd Book] embraces the call to God’s mission in this world (Missio Dei) he clearly sees beyond the titles smuggler, thief and whore and recognises the fingerprint of God in peoples lives (Imago Dei) and seeks to find where Jesus is already at work and dares to step into that context and work with him (Participatus Christo). He moves outside his comfort zone and finds Proximity with those he seeks to serve and love. He clearly seeks to practice the presence of Christ in the midst of serenity’s crew, living as he believes Jesus would aboard the ship. He embraces material and temporal powerlessness although there is an indication that he had the potential to come among these people from a position of power he instead came as one of them and as a servant. Finally he does in key moments embrace proclamation, he becomes the voice of God in situations far removed from the church. '

As I reread that paragraph I can think of instances from the show which back up each of his comments. For example 'he moves outside his comfort zone' is illustrated by his admission to Inara in Episode 1 'I think I'm on the wrong ship'. She replies 'Maybe. Or maybe you're exactly where you ought to be.'

I presume the statement: 'there is an indication that he had the potential to come among these people from a position of power' is based upon the fact that when Book was injured in the episode 'Safe' the Alliance Commander took one look at his identity card and said 'Get this man to the infirmary at once.' This is another one of the cryptic clues to Book's mysterious past.

I going to continue looking at the character of Shepherd Book through this particular lens as I rewatch the DVD.

B. E. Wheatley goes on to comment that

' What attracts me to [Book] is that the character was created by a self confessed atheist and absurdist, Joss Wedon. I see Joss (alongside the likes of Kevin Smith and Larry and Andy Wachowski) as a key voice for a group of subcultures that I have a massive heart for. To me Shepherd Book is a call to the church from those subcultures about the kind of people they wish we were. To put it simply – They like Shepherd Book but not the Church and I think that means they wish the church was missional.'

This is another fascinating facet of this study - that is addressing one of the suggestions from my post on 25th April i.e. ‘Reflect on the possible journey that led the film maker to produce what you have just seen’.

IS SHEPHERD BOOK REALLY A PRIEST?

2008-06-27T21:49:00.006+01:00

In the episode 'Objects in Space', the bounty hunter, Early, who seems to have information about Shepherd Book's background, tells Simon 'That ain't a Shepherd'.

What are we supposed to make of that comment?

I recently read 'Bread and Wine' by Ignazio Silone. Set in the 1930's this book tells the story of Pietro Spina, an anti-Fascist revolutionary who goes into hiding by disguising himself as a priest. Pietro (or Don Paolo as he becomes) is taken aback by the way in which he is treated once he adopts the identity of a 'man of God' e.g. the questions people ask him, the confessions made to him, the way that they expect him to act and the way that his presence in the community is viewed as a good omen. Although he puts up a great deal of resistance, and keeps making the excuse that he is not authorised to serve in this diocese, he is drawn into acting in certain ways because of the garments that he is wearing/the role that he has assumed.

Did a similar thing happened to Shepherd Book? Did he assume the identity of a Shepherd in order to hide from his enemies/a particular situation/himself - and in doing so did he actually (over time) become a Shepherd?

Or is it just that he doesn't fit the stereotypical image of a priest and therefore, in the eyes of Early, can't possibly be one? That prompts the question - how are contemporary 'Shepherds' breaking the mould?

WHY AM I DOING THIS?

2008-05-31T23:25:00.007+01:00

Sometimes I’ve felt as though the decision to study a sci-fi series for my dissertation on the emerging church was a bit too wacky! So I was greatly encouraged by Mike Alsford’s work on ‘Religious Themes in Science Fiction’, especially as he describes the way in which this particular genre encourages us to face both hope and dread.

'To contemplate a destiny amongst the stars whilst at the same time recognising our capacity for greed and self destruction; to aspire to new levels of existence, transformations to ever more blessed states of being, while acknowledging our equal potential to create and become monsters; to look forward to a future paradise or to dread the end results of urban decay and social collapse: hope and dread –these are indeed two of the poles that define us.'
Alsford, M, What If? Religious Themes in Science Fiction, (London: Darton, Longman and Todd, 2000) pp2-3.

Maggie Burns seems to take this a step further by declaring that Sci-fi makes us face our hopes, fears (=dread) and the truth.

‘… the highest goal of science fiction is to tell us the truth about ourselves. We find it in every sci-fi work that has ever tried to say: “This is how it is. Don’t pretend, don’t turn away, don’t lie. This is who you are. This is what we are.” … Firefly … sets out to show us our world through a created one.’ Burns, M, ‘Mars needs Women’ in Espenson, J (ed), Serenity Found: More Unauhorized essays on Joss Whedon's Firefly Universe, (Dallas, TX: Benbella Books, 2007) pp15-16.

This belief, in the power of story to touch us at a deep level, is my starting point.

MORE ON MAL

2008-05-22T19:36:00.005+01:00

Eric Greene points out how, in Star Trek, 'Spock reflected Kirk's intellect and McCoy embodied Kirk's emotions. Watching McCoy and Spock argue was like seeing Kirk's internal dialogue externalized.'

Similarly in Firefly the characters of Simon and Jayne are set in direct contrast. Simon is devoted to the protection of his sister, he has risked everything for her - in the episode Safe he is even willing to be burnt at the stake with her - Mal shows the same sort of loyalty to his ship and crew. Conversely, Jayne displays a practical self interest and is unable to understand acts of altruism. 'Jayne's strictly rational common sense and Simon's Quixotic and chivalric devotion established the two men as opposites and repeatedly led them to butt heads.'

Green continues: 'Zoe shares Mal's experience as a soldier, the primal bonds developed by comrades in arms, and understands his special relationship to Serenity Valley. Kaylee shares Mal's love of the ship, Inara his emotional guardedness and fear of intimacy; River, like Mal, has been interferred with and wounded by the Alliance. And Wash ... represents Mal's spirit of resistance to authority and is the one most likely to challenge Mal's orders. ... But while the rest of the crew tended to reflect Mal that is, Book reflected Mal that was, but is no more: Mal as a believer.'

After describing the opening scenes of the pilot episode Green writes: 'In a few concise gestures an entire arc was implied and understood. Mal believed once but no longer. While Book, a former sinner we may assume, now believed. It would seem that just as the defeat at Serenity Valley stripped Mal of his belief, something pushed the shadowy Book into the light. While belief in something larger disappointed Mal, that very belief may have saved Book. Thus, like the rest of the crew, Book reflected an aspect of Mal, but it was more of a reflection in the literal sense: a reverse image.' Greene, E, 'The Good Book' in Espenson, J (ed), Serenity Found: More Unauhorized essays on Joss Whedon's Firefly Universe, (Dallas, TX: Benbella Books, 2007) pp80-82.

I want to explore further what it is that brings people to accept faith and what leads them to reject it - knowing of course that there is no one simple/correct answer and that a lot of people today have lost faith in the church rather than in God.

CAPTAIN MAL REYNOLDS - FAITH & BETRAYAL

2008-05-12T09:07:00.004+01:00

Captain Malcolm Reynolds - ‘Mal’

‘…a dark, world-weary man, with an unshakeable love and loyalty for his adopted family.’ Firefly: The Official Companion Volume One, (London: Titan Books, 2006), p.26.

I didn’t like Mal at first. Neither did River; in the second episode, Train Job, she commented that his name ‘Mal’ means ‘bad’ in Latin. His character has a complex mixture of good and bad features. A very strong leader, he does not like to be questioned – but he is fiercely protective of his crew.

Nathan Fillion (the actor who plays Mal) said: ‘Someone asked me why he so zealously guards over the safety of his crew and I look at it that Mal gathers to him that which he no longer has within himself. In Wash, he has a lust for life and a sense of humour he’s lost. In Jayne, he has selfishness. In Book, he has spirituality. In Kaylee, he has innocence. Everybody represents a facet of himself that he has lost and that’s why he keeps them close and safe, and yet at arm’s length.’ Quoted in Firefly: Volume One, p.26. I’m interested in exploring his relationships with the others, particularly Book.

The opening scenes of the series begin with his faith – and the way in which it was betrayed. They detail events which occurred six years earlier when he was a Sergeant fighting as for the Independents in order to stop the Alliance from unifying the inhabited worlds under a single rule. He really believed that he could do the impossible. Even in the trenches of the battlefield in Serenity Valley, with bodies falling around him, he could not contemplate defeat. He declared: ‘Our angels are going to soar overhead.’ He kissed the cross around his neck and said: ‘We’re just too pretty for God to let us die.’

Then Zoe relayed the message that no one was coming to save them and that their orders were to surrender. The sky filled with enemy ships and Mal just stared in disbelief.

INTRODUCTION TO THE CHARACTERS

2008-05-09T20:55:00.018+01:00

I had to give a presentation about my dissertation at Cliff College on Wednesday. Preparing for that gave me a chance to check out how I would introduce the key story lines and characters from 'Firefly'/'Serenity' to those who've never even heard of it. Here are is the sort of thing that I said (or wanted to say) - eventually this will form the basis of chapter 1 ...

Devised by Joss Whedon, 'Firefly' is set 500 years in the future when the earth has become uninhabitable and other planets have been terraformed (representing our fears for the effects of climate change and our hopes for the continuation of human life).

The series records the journey made by the nine characters who live on a ‘Firefly’ model of spaceship called ‘Serenity’. Life on the planets they visit (in what is known as the 'verse) resembles that in the 'wild west', complete with saloons, hard manual labour and gun fights.

The show's unique features include an interesting combination of the genres of sci-fi and western, and the fact that it is a sci-fi without alien life forms (though some humans have mutated into creatures known as 'reavers').

'Firefly' was cut after just one series. When it came out on DVD it developed a cult following - the support and campaigning of the fans (known as 'Browncoats') led to the production of the film 'Serenity'.

As the show ended prematurely there were a number of loose ends and unanswered questions about the plot. Joss Whedon has produced a comic book to fill part of the gap and fans have sought to provide their own answers to some questions by writing 'fanfics' or working through a role play game.

The characters are pictured here - front row: Zoe (first mate), Mal (captain) and Kaylee (mechanic); Back row: Shepherd Book (preacher), River (sister of Simon), Wash (pilot, husband of Zoe), Jayne (member of the crew), Simon (doctor) and Inara (companion/'legal' prostitute).

To some extent they are a mixture of fugitives, mercenaries and losers who will take any job which pays enough to give them something to eat and sufficient fuel to keep flying. Although they will undertake criminal activities they do exhibit a conscience - SPOILER - for instance, they take on a job which involves the theft of medicine but when they meet some of the ill people who need that medicine they return the stolen goods.

I'll use the next few posts to introduce the characters in more detail and say what interests me about their experiences and personalities.

USEFUL RESOURCES AGAIN

2008-04-27T23:04:00.004+01:00

Here's another source: Pollard, N & Couch, S, Get more like Jesus while watching TV, (Milton Keynes: Authentic Media, 2005)

In Appendix 1 (p.99) Caroline Puntis outlines the suggestions made by Damaris (http://www.damaris.org/) for reflecting upon a film:

'Identify the underlying world view: What beliefs, values and attitudes are being communicated?'
'Analyse the worldview: Do these ideas make sense? Do they fit with the real world? Do they work?'
'Affirm truth: What rings true with Christian faith as seen in the Bible?'
'Identify error: What seems to be inconsistent with Christian faith?'
'Identify a response: How should we respond to this material or this worldview as individuals, as a church, as a community?’

I'm going to apply these guidelines when I rewatch 'Firefly' and 'Serenity' as I think that they will help to facilitate cross-cultural and counter-cultural reflection.

I'm a little cautious about the use of the word 'error' in the 4th point. I want to make a stand for what I believe to be morally right and wrong, but I'm also willing to be challenged about what I believe.

Does that sound like I'm sitting on the fence? What I'm trying to say is that: ‘We need to be open about the possibility that film will challenge us and sometimes cause us to rethink our understanding and expression of the faith we hold dear’ see Maher, I, Reel Issues: Engaging film and faith, (Swindon: Bible Society, 1998) p.6.

KEY WEBSITES

2008-04-26T00:18:00.000+01:00

Just so that I don't forget - these are some key websites:

A site which explains the storyline and introduces the characters in 'Firefly'/'Serenity'
http://www.bbc.co.uk/dna/h2g2/brunel/A2890866

A forum with stories written by fans about the characters in ‘Firefly’/‘Serenity’ (this is the inspiration for chapter 3 of the dissertation outline)
http://community.livejournal.com/beforeserenity/

A Damaris study guide on ‘Serenity’ http://www.damaris.org/content/content.php?type=1&id=314

A Damaris article on ‘Firefly’
http://www.damaris.org/content/content.php?type=5&id=527

Articles about spirituality & film and a review of ‘Serenity’ by Steve Taylor
http://www.emergentkiwi.org.nz/archives/spirituality_and_film_web_resources.php
http://www.emergentkiwi.org.nz/archives/where_is_the_gospel_in_film.php
http://www.emergentkiwi.org.nz/archives/writing/howdochurchesusefilm1.PDF
http://www.emergentkiwi.org.nz/archives/writing/serenity.PDF

Official Fans (known as Browncoats) Website
http://www.fireflyfans.net/

A blog entry about the spirituality of sci-fi (with a description of Shepherd Book - the preacher) http://www.opuszine.org/blog/entry/a_bit_of_a_ramble_on_sci_fi_spirituality_atheists_space_stations_and_firefl/

USEFUL RESOURCES

2008-04-25T09:49:00.004+01:00

Last year I made notes about some useful resources that identified ways to reflect upon the spirituality of films. I'm going to copy those notes into this blog. Here's the first one:

One key source is: Higgins, G, How Movies Helped Save my Soul: Finding Spiritual Fingerprints in Culturally Significant Films, (Lake Mary, FL: Relevant Books, 2003)

Dozens of films have challenged or inspired Gareth Higgins and he groups them together under fourteen headings, such as ‘Brokenness’, ‘Anti-heroes’, ‘Justice’ & ‘fear’. He covers a wide range of films from ‘The Wizard of Oz’ to ‘The Omen’. Written in a 'chatty' style this book motivates the reader to watch or re-watch the films described, and gives insight into how to look for ‘spiritual fingerprints’ in other movies.

Higgins gives the following advice for those who want to explore the meanings of films further (pp.3-9):

Read decent film magazines and some good books about film e.g. Derek Malcolm’s ‘A Century of Cinema’;
‘Don’t read reviews before you see films’;
‘Don’t expect “realism” as a mark of a film’s quality’;
‘Do not eat popcorn when watching films’;
Watch movies with friends and then talk about them over a meal - ‘food and drink grease the wheels of conversation like nothing else’;
‘Give the film your full attention … Observe how the camera moves … look around the screen for things you may have previously missed’;
‘Consider what the difference between a good and a bad performance is’;
‘Reflect on the possible journey that led the film maker to produce what you have just seen’;
‘Don’t talk during the credits’ and do not discuss the film for at least ten minutes after the end of the credits – then your impression of the film won’t be ruined by negative comments from others who weren’t so moved.

THE SPIRITUALITY OF FIREFLY

2008-04-17T22:26:00.000+01:00

I am currently working towards an MA in Leadership, Renewal and Mission through Cliff College.

For my dissertation I intend to explore the spiritual themes of the sci-fi/western series ‘Firefly’ and the film ‘Serenity’.

The dissertation has to be completed by the end of March 2009. So far I've formulated the following outline:

Chapter 1: Setting the context by describing the characters and storylines presented in ‘Firefly’ and ‘Serenity’.

Chapter 2: What insights into the nature of spirituality and the emerging church are gleaned from these programmes? (eg: What is learnt from the way in which community is formed on board the spaceship ‘Serenity’.)

Chapter 3: Re-imagine a new storyline for the show – ‘How might the church emerge in the ’verse?’ or ‘Where will the search for Serenity lead’

Chapter 4: Reflection on the above exercise asking ‘What is a church?’ and ‘How can it be allowed/encouraged to emerge in an alternative society?’

Chapter 5: Critique of the usefulness of the above exercise.

My hypothesis is that an imaginative/fictitious exercise (Chapter3), which engages with ‘popular culture’ and with ‘the emerging conversation’, can reveal useful insights into the way in which the church can be re-imagined in the twenty-first century.

I'll be using this blog to record my observations as I work through this process.

I'm keen to develop a conversation with other people who are interested in spirituality, sci-fi (in particular 'Firefly'/'Serenity') and the emerging church.